| Round Won |
Title |
Author |
Pub Year |
Outside Judge |
Collusion |
| JANUARY 2004 | LORD BRAIN | Bruce Beasley | 2005 | Cole Swensen | Bruce
Beasley assures me that there was no collusion. I had asked Bruce about
the relationship between him and Swensen; he did not respond to the
email, which was not signed. I regret the error. |
| JANUARY 2004 | DRAWING OF A SWAN BEFORE MEMORY | Laynie Browne | 2005 | Cole Swensen |
 |
| SEPTEMBER 2003 | FLUORESCENCE | Jennifer K. Dick | 2004 | Cole Swensen |
 |
| SEPTEMBER 2003 | MEAD | Julie Carr | 2004 | Cole Swensen |
 |
| JANUARY 2003 | DWELLING SONG | Sally Keith | 2004 | Fanny Howe | |
| JANUARY 2003 | OF THEE I SING | Timothy Liu | 2004 | Fanny Howe | |
| SEPTEMBER 2002 | WHAT ANIMAL | Oni Buchanan | 2003 | Fanny Howe | |
| SEPTEMBER 2002 | THE BOOK OF MOTION | Tung-Hui Hu | 2003 | Fanny Howe | |
| JANUARY 2002 | VERTICAL ELEGIES 5 | Sam Truitt | 2003 | C. D. Wright |
 |
| JANUARY 2002 | THE BLAZE OF POUI | Mark McMorris | 2003 | C. D. Wright |
 |
| SEPTEMBER 2001 | DARE SAY | Tod Marshall | 2002 | C. D. Wright |
 |
| SEPTEMBER 2001 | THE RESERVOIR | Donna Stonecipher | 2002 | C. D. Wright | |
| JANUARY 2001 | DARK WOULD (the missing person) | Liz Waldner | 2002 | Forrest Gander | |
| JANUARY 2001 | THE VIOLENCE OF THE MORNING | Cal Bedient | 2002 | Forrest Gander | Bedient
and Gander are now both editors of the California Series. Gander did
not know Bedient at the time of the selection for Georgia. |
| SEPTEMBER 2000 | SAUNTER | Joshua McKinney | 2001 | Forrest Gander | |
| SEPTEMBER 2000 | BY REASON OF BREAKINGS | Andrew Zawacki | 2001 | Forrest Gander | |
| JANUARY 2000 | THE GAUGUIN ANSWER SHEET | Dennis Finnell | 2001 | Mark Strand | |
| JANUARY 2000 | THE DOWNSTREAM EXTREMITY OF THE ISLE OF SWANS | Mary Jo Bang | 2001 | Mark Strand | |
| SEPTEMBER 1999 | A CRASH OF RHINOS | Paisley Rekdal | 2000 | Mark Strand |
 |
| SEPTEMBER 1999 | THEY ARE SLEEPING | Joanna Klink | 2000 | Mark Strand |
 |
| JANUARY 1999 | CIVILIAN HISTORIES | Lee Upton | 2000 | Jorie Graham |
 |
| JANUARY 1999 | O WHEEL | Peter Sacks | 2000 | Jorie Graham |
 |
| SEPTEMBER 1998 | ASSEMBLING THE SHEPHERD | Tessa Rumsey | 1999 | James Galvin |
 |
| SEPTEMBER 1998 | HOTEL IMPERIUM | Rachel Loden | 1999 | James Galvin | |
| JANUARY 1998 | THE VERY THOUGHT OF YOU | Andy Robbins | 1999 | Brenda Hillman | |
| JANUARY 1998 | AFTER I WAS DEAD | Laura Mullen | 1999 | Brenda Hillman |
 |
| SEPTEMBER 1997 | ALLEGORY OF THE SUPERMARKET | Stephanie Brown | 1998 | Brenda Hillman | |
| SEPTEMBER 1997 | DEER TABLE LEGS | Katayoon Zandvakili | 1998 | Brenda Hillman | |
| JANUARY 1997 | THE PATRIOT | Christopher Davis | 1998 | Donald Revell |
 |
| JANUARY 1997 | EYETROUBLE | Martha Ronk | 1998 | Donald Revell | |
| SEPTEMBER 1996 | INCORRECT DISTANCES | Tracy Philpot | 1997 | Donald Revell |
 |
| SEPTEMBER 1996 | OF PISCATOR | Martin Corless-Smith | 1997 | Donald Revell |
 |
| JANUARY 1996 | VIRIDIAN | Paul Hoover | 1997 | Marvin Bell | |
| JANUARY 1996 | THE RED WINDOW | Pamela Stewart | 1997 | Marvin Bell | |
| SEPTEMBER 1995 | THE BLACK REEDS | Mark McMorris | 1997 | Jorie Graham |
 |
| SEPTEMBER 1995 | THE FUGITIVE KIND | Austin Hummel | 1997 | Jorie Graham | |
| JANUARY 1995 | THE SECULARIST | Claudia Keelan | 1997 | Ann Lauterbach |
Keelan's husband Revell worked with Ramke for many years. |
| JANUARY 1995 | APPROXIMATE DARLING | Lee Upton | 1996 | Ann Lauterbach |
 |
| SEPTEMBER 1994 | BIRDS OF THE NIGHT SKY/STARS OF THE FIELD | Pamela Gross | 1995 | Dave Smith | |
| SEPTEMBER 1994 | EVERY SUBSTANCE CLOTHED | Kathleen Halme | 1995 | Dave Smith | |
| JANUARY 1994 | BELOVED BEAST | Dennis Finnell | 1995 | Albert Goldbarth | |
| JANUARY 1994 | MERE MORTALS | Terese Svoboda | 1995 | Albert Goldbarth | |
| SEPTEMBER 1993 | TEKIA | Richard Chess | 1994 | Dara Wier | |
| SEPTEMBER 1993 | GREEN WEB | Juan Delgado | 1994 | Dara Wier | |
| JANUARY 1993 | CONVERSATIONS WITH SURVIVORS | Jacqueline Osherow | 1994 | Robert Pinsky | |
| JANUARY 1993 | FIGURES FOR THE GHOST | Scott Cairns | 1994 | Robert Pinsky | |
| SEPTEMBER 1992 | BAG ‘o’ DIAMONDS | Susan Wheeler | 1994 | Lynn Emanuel | |
| SEPTEMBER 1992 | POSTMORTEM | Maurice Kilwein Guevara | 1994 | Lynn Emanuel | |
| JANUARY 1992 | CASTING SEQUENCES | Marjorie Wellish | 1993 | Ann Lauterbach | |
| JANUARY 1992 | A HISTORY OF SMALL LIFE ON A WINDY PLANET | Martha Collins | 1993 | Ann Lauterbach | |
| SEPTEMBER 1991 | CUPS | Candice Favilla | 1992 | Heather McHugh | |
| SEPTEMBER 1991 | EMPIRICAL EVIDENCE | Steve Kronen | 1992 | Heather McHugh |
 |
| JANUARY 1991 | AMERICAN GOTHIC | Jonathan Holden | 1992 | Charles Simic | |
| JANUARY 1991 | APART FROM SOLITUDE (withdrawn from competition after winning) | Donald Revell | not published | Charles Simic |
 |
| SEPTEMBER 1990 | RESTLESS MESSENGERS | Norman Finkelstein | 1992 | Robert Hass | |
| SEPTEMBER 1990 | HARMING OTHERS | Casey Finch | 1992 | Robert Hass | |
| JANUARY 1990 | HEAVEN AND EARTH: A COSMOLOGY | Albert Goldbarth | 1991 | Stanley Plumly | |
| JANUARY 1990 | STRING LIGHT | C.D. Wright | 1991 | Stanley Plumly | |
| SEPTEMBER 1989 | EMPTY SLEEVES | Sidney Wade | 1991 | Carolyn Forche | |
| SEPTEMBER 1989 | THE OUTLAW JAMES COPELAND AND THE CHAMPION-BELTED EMPRESS | Jeanne Lebow | 1991 | Carolyn Forche | |
| JANUARY 1989 | THE TRANSLATION OF BABEL | Scott Cairns | 1990 | Carl Dennis | |
| JANUARY 1989 | ECHOES OF THE UNSPOKEN | Wayne Dodd | 1990 | Carl Dennis |
 |
| SEPTEMBER 1988 | DESIRE IN L.A. | Martha Ronk | 1990 | Richard Howard | |
| SEPTEMBER 1988 | A DROWNING MAN IS NEVER TALL ENOUGH | Patrick Lawler | 1989 | Richard Howard | |
| JANUARY 1988 | TO NEWFOUNDLAND | Caroline Knox | 1989 | Richard Howard | |
| JANUARY 1988 | NEW SCIENCE | J.T. Barbarese | 1989 | Richard Howard | |
| SEPTEMBER 1987 | LOOKING FOR ANGELS IN NEW YORK | Jacquelin Osherow | 1988 | Richard Howard | |
| SEPTEMBER 1987 | TEMPLES AND FIELDS | Phillis Levin | 1989 | Richard Howard | |
| JANUARY 1987 | TWENTIETH CENTURY WOMEN | Arthur Vogelsang | 1988 | John Ashberry | Arthur Vogelsang has edited APR since 1973. John Ashbery was given the American Poetry Review's Jerome J. Shestack Poetry Award in 1983 and 1995. The APR editors are the judges. Ashbery picked Vogelsang's book in 1987. Not to mention the countless times Ashbery has been in APR, including covers of APR in July/August of 1979 and July/August 1983 (and after the fact in Jan/Feb 1995 and Nov/Dec 2005). |
| JANUARY 1987 | THE GAZA OF WINTER | Donald Revell | 1988 | John Ashberry |
 |
| SEPTEMBER 1986 | THE CEDAR CANOE | Joseph Duemer | 1987 | Stanley Plumly | |
| SEPTEMBER 1986 | CUSTOMS | Karen Fish | 1987 | Stanley Plumly | |
| JANUARY 1986 | THE HIVE | Susan Stewart | 1987 | Dave Smith | |
| JANUARY 1986 | NO SIGN | Sydney Lea | 1987 | Dave Smith | |
| SEPTEMBER 1985 | THE GLASS CHILDREN | Richard Cole | 1986 | Linda Pastan | |
| SEPTEMBER 1985 | CHINESE ARCHITECTURE | Aleda Shirley | 1986 | Linda Pastan | |
| JANUARY 1985 | FALLING AWAKE | Gary Margolis | 1986 | Bill Matthews | |
| JANUARY 1985 | SOMETIMES MUSIC RISES | Wayne Dodd | 1986 | Bill Matthews | |
| SEPTEMBER 1984 | UNDER THE BLUE MOON | J.T. Barbarese | 1985 | Stanley Plumly | |
| SEPTEMBER 1984 | ALL ABERRATION | Terese Svoboda | 1985 | Stanley Plumly | |
| JANUARY 1984 | THE MONKEY WARS | Bruce Weigl | 1985 | Gary Gildner | |
| JANUARY 1984 | CROSS TIES | X.J. Kennedy | 1985 | Gary Gildner | |
| SEPTEMBER 1983 | THE MAKE-UP OF ICE | Paul Zarzyski | 1984 | David Bottoms | |
| SEPTEMBER 1983 | HOTEL FIESTA | Lynn Emanuel | 1984 | David Bottoms | |
| JANUARY 1983 | TO THE WREAKERS OF HAVOC | Michael Hefferman | 1984 | Richard Shelton | |
| JANUARY 1983 | MOON SEEN AS A SLICE OF PINEAPPLE | Conrad Hilberry | 1984 | Richard Shelton | |
| SEPTEMBER 1982 | HOUSE PARTY | Caroline Knox | 1984 | Jim Tate |
 |
| SEPTEMBER 1982 | AMERICAN LIGHT | Michael Pettit | 1984 | Jim Tate |
 |
| JANUARY 1982 | WINTER OYSTERS | Brendan Galvin | 1883 | Dave Smith | |
| JANUARY 1982 | WEATHER-FEAR | John Engels | 1983 | Dave Smith | |
| JANUARY 1982 | ONE-LEGGED ON ICE | Dannie Abse | 1983 | Dave Smith | |
| SEPTEMBER 1981 | THE DAY WE STILL STAND HERE | Gary Margolis | 1983 | Mona Van Duyn | |
| SEPTEMBER 1981 | PROUD AND ON MY FEET | J.W. Rivers | 1983 | Mona Van Duyn | |
| JANUARY 1981 | THE SCIENCE OF GOODBYES | Myra Sklarew | 1982 | Roland Fint |
 |
| JANUARY 1981 | NEW AND SELECTED POEMS | Tony Connor | 1982 | Roland Fint | |
| SEPTEMBER 1980 | ROWING ACROSS THE DARK | Franz Douskey | 1981 | William Stafford | |
| SEPTEMBER 1980 | AMARANTH | Laurie Sheck | 1981 | William Stafford | |
| JANUARY 1980 | WHITE MONKEYS | Bin Ramke | 1981 | Stanley Lindberg | |
| JANUARY 1980 | VIVALDI IN EARLY FALL | John Engels | 1981 | Stanley Lindberg | |
| SEPTEMBER 1979 | THE NIGHT WON’T SAVE ANYONE | Marcia Southwick | 1980 | Linda Pastan | |
| SEPTEMBER 1979 | DAME | Susan Astor | 1980 | Linda Pastan | |