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Foetry1
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« Reply #150 on: March 12, 2007, 12:16:41 AM » |
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On The Cover Of The APR
Well I'm an MFA poet I've got a prize, dontcha know it And I'm loved everywhere I go I write about beauty And I write about truth And I put on a pretty good show
I started up a press And my poetry's the best, But I don't think I'll go far Oh, I keep gettin richer But I want my picture On the cover of the APR APR! Gonna see my picture on the cover APR! Gonna buy 5 copies for my mother APR! Get my smartass face on the cover of the APR!
I got poets I'm schoolin' And I've written a blurb or two And I'm going to judge a contest If you're my friend, I might pick you! Whooohooo!
My press makes money And you know what's funny? No one thinks that poets get rich! But I sent out a letter And I'm making poets better Who agree to be my contest bitch!
I got a prize and a press But I got in a mess When Foetry shot my star-- But I'll keep gettin richer And one day I'll get my picture On the cover of the APR! APR! Jorie Graham was on the cover! APR! Hey, I'm a sexy little mother! APR! See my big fat face on the cover of the APR!
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Bugzita
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« Reply #151 on: March 12, 2007, 08:35:16 PM » |
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Rather amusing.
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ennifer Semple Siegel
One must always question wrongheaded conventional wisdom.
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Foetry1
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« Reply #152 on: March 27, 2007, 08:47:19 PM » |
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How Many Times Did I Look Into My Soul And Say No?
A dozen times. And, honestly, it wasn't easy to look there, the soul wasn't the half of it, there was the world and my physical self too, and my body wasn't the heroic variety, you can't have a bad case of acne and write like Shelley, or maybe you can, maybe that's the point, but I shouldn't be allowed to make my body the excuse, I should have gone to church and helped people and been good but I didn't do that. OK it wasn't twelve times it was more like ten thousand times but no one thinks they can save the people they read of in a newspaper who die and it's hard to just help yourself but what am I talking to you for, you don't care, in fact, it's worse, you're dead to me, because I'm dead. This is one of those poems they teach in school, a good poem, and you can't do anything to help the poets of good poems, they are always dead and I'm sure this poem's good, I tried to make that clear from the title, So I will not say another word. What do you think this is, anyway?
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Foetry1
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« Reply #153 on: March 31, 2007, 10:51:59 PM » |
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I Try And Describe Myself
All these poets seem indifferent and cold, Boring! Black and white! They put their love in monuments Of stone, frozen, it seems, long ago By outer space without limit; they strive To put words together, like spark and dark. If perfection is darkness, they go that way. For them, nothing has to be alive. They spurn the hot-blooded day; Day will melt their monuments. They take whatever their readers know And present it as if it were their wisdom, Whispering and dropping slow Into deception and valley, A perception of soft, sweet glow, Passion intellectualized!
I brought flowers once to Karla Karrar, A girl I barely knew, invaded her Backyard after wandering the hills For flowers that were almost weeds; Among weeds, I found strange flowers. Those were thoughtless thrills; I was young and could discount them; I was no poet, then. But that is one sweet memory. Now I hope you'll be able to tolerate me; I am the book jackets you see, the blurbs and the vanity,
I am the poet now. I am going to give you love, and by God I am going to give you flowers. Will you watch as they are depicted as that For you, right here, in color, for the next two and three quarter hours?
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Foetry1
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« Reply #154 on: April 14, 2007, 09:58:52 AM » |
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I Flew Over
I flew over the round world, round-eyed, Spying what the raven who first rode westward spied: Three ravens, who sat, like the ballad, in a tree. The ballad did not mean a thing to me. But I sang it because my voice was smooth And of all things done with the mouth I loved, I loved to sing, and make vowels and consonants move, That I might please, simple as daylight sighted When black in the forest is first removed As day inside the wood is first ignited By a Greek, burrowing sun, The same one, Mediterranean-whited, Who blues the wave, now in this mossy wood, Spilling sun-change on shadow, day-improved, As each shadow plays upon the day, Turning around to look at itself, day's shadow, Wanting to inhabit music, luxury, and play In spots between trees, dying into harmony As song finds a small misunderstanding pleases.
I find the raven inside every shadow-- The world does not allow absence. The philosophy was "Everything exsts." Do you hear my song as it invades the day? As I watch the stretched earth all day changing, Hated not for blindness but being near-sighted, Officials ask for my fur, my impressionism; Hollow inside, my answer is low and murmuring: 'There is only you, there is no impressionism." The light takes time, as time, always away, takes. The prose is the photograph the sly poem takes, The prose who lived years ago somewhere else; The prose is someone else's. It surrounds my house. The sun inhabits the fire that inhabits the sun. The many beautiful prevent you from loving one.
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Foetry1
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« Reply #155 on: April 24, 2007, 08:53:01 AM » |
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The Lady Who Was Yours
Bored with the universe of stars She finds towering examples of crossword puzzle solutions To her liking. She loves poetry that has no truth But hints at truth that might arrive Long after she has gone to bed.
And when she retires to her toilet at sunset, Which comes these days at quarter after five, She sometimes thinks of the power Hushed in the blanket of her memories. Now, in the dead quiet of her quiet estate, Where even ants do not enter, She thinks on lines she read today: ”I am God And I have put together a man Who can sneeze particles With the force of a jet engine.”
Lines like these amuse her And the most pleasant thing she knows is to be amused.
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Foetry1
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« Reply #156 on: May 10, 2007, 11:25:54 AM » |
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Stump Hall
The policy of the student handbook stumped both student and administrator alike. Too many cooks spoiled the broth! Education’s broth, the student’s soup of learning, oh little chunks of pedagogy, spilt on the steps of Stump Hall!
Too many students were stupid, were stumped, were left stammering, and studies were stuck in a loop.
Who was to blame? We have to blame the handbook.
The college president sent the provost who sent the dean who sent the faculty who sent the egg who sent the hen to find out why students were stumped by the handbook. Was the handbook stupid? Or was it the student? The administration knew students were stumped, but how? How was the administration informed? Was documentation sent over to the proper official? Were the documents properly stamped? Who stamped the documents documenting the stumped students? Were the forms stamped firmly? Who was informed about the forms when the students were first stumped? Was the handbook printed with love or logic? This is what the president wanted to know, stamping in rage before the trembling provost, dean, bishop, parking official, senator, governor, Labrador, student senator and student president—the one who was stumped and stammered in front of handbook and students holding stamped documents at the registrar’s in Stump Hall. The shuttle wasn’t running and the transcript printer was printing to beat the band. Where was the official stamp? The student president wanted to make an official complaint. The handbook said no grievance could be made without a form, sealed, stamped, signed, and soaked. The stumping began, then. Every stamp brought a new stumping, and then the stammering started, a stammering that stuck to each lonely stamp.
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Foetry1
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« Reply #157 on: May 10, 2007, 11:51:24 AM » |
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Whale Island
As I approach Whale Island I notice there are no whales And no islands. There is Nothing but sentimentality Of story in someone else’s words. “You go to Whale Island,” The elders told me, With knowing wink and nod, The grin we see which says All one needs to know Of the real life and the real God.
So here I am approaching Whale Island, that those who are gone Never got around to seeing Because they were saying Something else for a long time, The usual things one says on the sod In a coat of flesh, with no understanding of God.
Now Whale Island, in all its beauty, Looms in front of me. I laugh because Anita Gota Shared a laugh with me When I used the word “Looms” in a journalism project. Every time we saw “looms” in a newspaper We laughed. Here it is. Whale Island. Now isn't this odd? I cannot tell, either, Why there is laughter and fever And unrequited love forever For all who toil or trip on sod, Howling in their suit of flesh For what was once so beautiful and fresh Before Whale Island was mentioned, or God.
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